Um estudo da recepção da imagem no museu Arthur Bispo do Rosário arte contemporânea a partir da psicologia da religião de Carl Gustav Jung

Abstract

The thesis addresses the reception of the image at the Arthur Bispo do Rosário Museum of Contemporary Art, using Carl Gustav Jung's psychology of religion as its theoretical foundation. The creative act and the images produced are central to this investigation, lending it an innovative character. The text explores the concept of religion as forces that affect the individual and deserve careful attention. The numinous is a fundamental category that emerges in the individual's psyche, often influenced by external elements. The study involves an experiment conducted with undergraduate Psychology students and high school students from Colégio Anglo, both in Viçosa - MG. The students participated in a technical visit to the museum to explore the works on display. During the visit, they were invited to recreate na artwork that impacted on them or develop a new artistic creation. Subsequently, the students reviewed tgeur drawings and were interviewed to share their experiences and reflections on the creative process. The methodology employed was descriptive and phenomenological, aiming to explore the associations and discoveries related to image, art and religion. As a result, it was observed that the conditions that constitute a work of art transcend the personal aspects of the artist, and can be accessed by everyone.